What The Press Is Saying
“The costumes were wonderful as always; Thomas Gluodenis did a great job.”
— Laura Gross-Higgins, From “CLOC's 'Scarlet Pimpernel' Explores Love, Secrets And Heroism” published on The Enterprise, 08/11/22
“And the costumes were beautiful, too. They fit well and were appropriate for the times—late Edwardian.”
— Laura Gross-Higgins, From “Engaging 'Gentleman's Guide To...' At CLOC” published on The Enterprise, 07/07/21.
“The costumes by Thomas [Gluodenis] and his crew were flawless; I especially liked the glittery number worn by Elsie Lilly in Act Two.”
— Laura Gross-Higgins, From “‘Very Good Eddie’ Makes A Delightful Evening Out” published on The Enterprise, 06/30/21.
“Kudos also go to costumes by Thomas Gluodenis…”
— Laura Gross-Higgins, From “‘Kiss Me, Kate’ Abounds In Great Songs, Humor And Talent” published on The Enterprise, 06/29/22.
“Costumes are well done and fairy godmother Marie’s dress is especially glowing and lovely, thanks to costume designer Thomas Gluodenis…”
— Deborah G. Scanlon, From “‘Cinderella' Graces The Highfield Stage” published on The Falmouth Enterprise, 07/27/22.
“The costumes were a range of preppy and formal for the period, with the actresses showing off many colorful dresses.”
— John P. Desmond, From “'All Shook Up' Is A Lovestruck Rockin’ Good Time With Elvis Songs” published on The Falmouth Enterprise, 07/14/22.
“I thought that the costumes were wonderful, especially the gowns…”
— Laura Gross-Higgins, From “‘No, No, Nanette’ Will Make You Tap Your Feet” published on The Falmouth Enterprise, 07/07/22.